The first is the application of a high-pass filter on the sidechain to reduce the influence of kick drums and heavy bass sounds on bus or mix compression, preventing unwanted pumping. The sidechain equalizer on a compressor lets you shape the frequencies in the detection circuit input that actually triggers compression, whether that signal is a duplicate of the one being processed (i.e., the default behavior of any compressor) or an external source – and there are two particularly notable scenarios in which this proves invaluable. Control your compression with sidechain eq Basically, it’s the technique to turn to whenever you want to control the volume and/or dynamics of one signal with another for any corrective or creative purpose, so don’t be afraid to experiment!Ĥ. But sidechaining has always had many more uses than just that, from ‘de-essing’ vocals and ducking long reverb tails out of the way of acoustic guitars, to making space in cymbal-rich drumkit overheads for the snare to cut through. These days, the term ‘sidechain compression’ is part of the dance music vernacular, usually referring to the love-it-or-hate-it pumping sound created by putting a compressor on the bassline or even the whole mix, then routing the kick drum to its sidechain input so that the volume of the music drops every time it hits. Expand your sidechain compression horizons
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |